Just before the French Revolution, in a forest outside Berlin, a band of libertines expelled from the court of Louis XVI rendezvous with the legendary German seducer and freethinker, the Duc de Walchen (Helmut Berger), to convince him to join in their mission: the rejection of authority and all moral boundaries. Screen Talk’s Christmas Movie Guide: Everything You Need to Know About the Best New Releases This Week, Here’s What Critics Groups Can Tell You About This Year’s Weird Awards Season, Filmmakers Versus HBO Max: How to Make Sense of the Backlash to a Radical Decision, How ‘Gunda’ Captured the Hypnotic Images and Vivid Sounds of a Pig’s Life — Toolkit, The Art of ‘Bloody Nose, Empty Pockets’ Is Not Its Manufactured Setup – Toolkit, ‘Dick Johnson Is Dead’: Kirsten Johnson Made Cinema Magic Out of Embracing the Unknown, 35 Must-See New Movies to See This Fall Season, ‘Happiest Season’: How Clea DuVall Made the Queer Holiday Rom-Com the World Needs Now, ‘Bob Hearts Abishola’: Hollywood Agents Encouraged Folake Olowofoyeku to Change Her Name. Directed by Albert Serra (France, 2019, 132 min.). His filmography amounts to an alternately gross and kinky history lesson. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. “Get out, you’re useless,” spits one dominant woman. Not since the early days of John Waters has a filmmaker confronted his sultry subject in such unapologetic terms, even while conveying the impression that the whole thing’s one grand lark. Synopsis. Set in the 18th century, it tells the story of the libertines that spend a night of sexual debauchery in the forest. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Newcomers to his particular brand of zany auteurism might want to start a little earlier on the timeline. Within its own deadpan framework, “Liberté” (which was originally designed for the stage, believe it or not) coalesces into an outrageous satire of aristocracy that reworks antiquated imagery into something altogether nastier and more immediate. All rights reserved. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Les aventures de Mowgli, un petit homme élevé dans la jungle par une famille de loups. Virtually every body part (and a little bodily fluid) comes into play, with boundaries of gay and straight sex blurred beyond any simple categorization. Urine makes a late-in-the-picture appearance. Serra, a cinematic character himself who parades around the festival circuit in dark shades making deadpan declarations, makes movies that dare you to operate on his wavelength — and then works overtime to make that investment worthwhile. There’s enough striking imagery at work here to make one wish that Serra might try to fuse the sequences together with some overarching narrative design, but “Liberté” doesn’t bother with those constraints, sometimes to its detriment. And if you do that, try not to laugh; the impossibility of that gamble speaks to the nature of Serra’s intent. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. After sundown, breasts are fondled, genitals rubbed, backsides are whipped with switches, milk is poured over a naked body. (The very decision to program it last fall in the main slate of the New York Film Festival felt like a grand programming dare, and it seems readymade to trick some horny googlers into getting the opposite of what they probably hoped to find.) Stay on top of the latest breaking film and TV news! In trying to find a proper description for “Liberté,” the new film from the provocative and occasionally (but not in this case!) The filmmaker never pierces the muted, almost reverential tone, as the movie explores the idea that we’re watching sacred acts of freedom unfolding away from society’s judgmental eye. When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. While “Liberté” is at times pornographic, nothing about it qualifies as porn in any traditional sense: The movie is a visual investigation into the roots of sexual liberation in societies steeped in repression. Leur mission : exporter en Allemagne le 'Sylvie's Love' Review: Tessa Thompson Shines in a Jazzy 1950s Romance, 'excuse me, i love you' Review: Ariana Grande's Netflix Concert Doc Is a Fans-Only Affair, The Best TV Series of 2020: A Top 10 List by TV Critic Ben Travers -- Year in Review, Disney+ Announces 'Falcon and Winter Solider,' 'WandaVision' Release Dates, Return of 'Mandalorian'. “Liberté” aims to shock and disturb viewers with a blend of graphic sex and S&M antics to spare, practically inviting some subset of its audience to walk out in the process. In French with English subtitles. Liberté. One is not quite sure whether he means a vision of a social order or of the evening of bucolic debauchery that follows, or both. Madame de Dumeval, the Duc de Tesis and the Duc de Wand, libertines expelled from the puritanical court of Louis XVI, seek the support of the legendary Duc de Walchen, German seducer and freethinker, lonely in a country where hypocrisy and false virtue reign. Mais Mowgli n’est plus le bienvenu dans la jungle depuis que le redoutable tigre… Country: UK , USA Just before the French Revolution, a group of libertines expelled from the court of Louis XVI flees for Germany, where they rendezvous with the legendary seducer and freethinker the Duc de Walchen. Sign up for our Email Newsletters here. Liberté est un film Drame réalisé par Albert Serra sorti en 2019. Here, some aristocratic pre-Revolution French pleasure-seekers drop in by a wood presumably near the manor of Duc De Walchen (played by Helmut Berger), and speak of … But really they just want to get it on after dark. Copyright © 2020 Penske Business Media, LLC. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. To that end, “Liberté” is the movie he’s been building toward for the better part of a decade. In French, German and Italian, with subtitles. Export libertinage, a philosophy centered on the rejection of morality and authority. 1774, a few years before the French Revolution, somewhere between Potsdam and Berlin - Madame de Dumeval, the Duke of Tesis and the Duke of Wand, libertines expelled from the Puritan court of Louis XVI, sought the support of the legendary Duke of Walchen, a seducer and free thinker from Germany, alone in a country where hypocrisy and false virtue reigned. Explicit but in no sense pornographic — it’s rather like antimatter with respect to pornography — “Liberté” plays an arguably specious moral and intellectual game, poking around the porous areas between squalor and perdition, and ultimately producing a pictorial and aural container of tedium. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Avec Helmut Berger et Marc Susini – *Regardez Liberté en ligne ou regardez les meilleures vidéos HD 1080p gratuites sur votre ordinateur de bureau, ordinateur portable, ordinateur portable, tablette, iPhone, iPad, Mac Pro et plus encore. sublime Catalan director Albert Serra, the words that most often sprang to mind were from Mel Brooks. At times, critics’ own words may fail them. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. This Article is related to: Film, Reviews and tagged Liberte, Reviews. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Watching it from start to finish is a means of engaging with the inquiry at its center. Running time: 2 hours 12 minutes. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l'appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l'appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Set in a shadowy French forest in 1774, “Liberté” finds Louche aristocrats exiled from the French court seeking out their kinky pleasures away from judgmental eyes. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Sign Up: Stay on top of the latest breaking film and TV news! Leur mission : exporter en Allemagne le libertinage,… Madame de Dumeval, the Duke de Tesis and the Duke de Wand, libertines expelled from the court of Louis XVI, seek the support of the Duc de Walchen, German seducer and freethinker, lonely in a country where hypocrisy and false virtue reign. Madame de Dumeval, le duc de Tesis et le duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Just before the French Revolution, in a forest outside Berlin, a band of libertines expelled from the court of Louis XVI rendezvous with the legendary German seducer and freethinker, the Duc de Walchen to convince him to join in their mission: the rejection of authority and all moral boundaries. Interviews with leading film and TV creators about their process and craft. Not rated. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. (At the first Cannes screening last May, this viewer failed a few times over.) Exiled aristocrats go on a tear of strained debauchery in Serra’s new film. His 2014 “The Story of My Death” could have been titled “Casanova Meets Dracula.” Here, some aristocratic pre-Revolution French pleasure-seekers drop in by a wood presumably near the manor of Duc De Walchen (played by Helmut Berger), and speak of “a vision” they are “defending.”. Tous Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Watch on Film at Lincoln Center’s Virtual Cinema. Sign up for our Email Newsletters here. Chassés de la cour très puritaine de Louis XVI, quelques nobles libertins, parmis lesquels madame de Dumeval, le duc de Tesis ou encore le duc de Wand, ont prix contact avec le duc de Walchen, séducteur et libre penseur allemand. In today’s film news roundup, Cinema Guild starts its virtual cinema initiative, Mucho Mas Media announces a partnership, Amazon hires a Netflix veteran and “Pot Luck” gets releas… Their goal? At least that’s how Duke de Wand (Baptiste Pinteaux) — a figure whose particularly Gallic pomposity is almost funny — puts it. Catalan director Albert Serra rejoices in oddball period pieces, from the outré Casanova biopic “The Story of My Death” to the slow-burn “The Death of Louis XIV,” which delivers exactly that for two hours straight. Penises are generally flaccid. The filmmaker once declared his movies “unfuckable”; now, he’s made the ultimate movie about fucking, and it’s fucking hilarious how well he pulls it off. That is, the hunchbacked hangman’s line from “Blazing Saddles”: “This one is a doozy.”, Serra makes beautifully shot, methodically (to say the least) paced films, often of a historical nature, and sometimes fancifully so. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Liberté is a 2019 drama film written and directed by Albert Serra. There’s a surreal quality to the accelerating pileup of undulating bodies, as they strip down from loose-fitting sleeves, corsets and oversized wigs, the rigid nature of an era known only through paintings dissembling before our every eyes. “Liberté” is now available at the Film at Lincoln Center’s website via Cinema Guild, and expands to more virtual cinemas in the coming weeks. Grisly violence is enacted on an amputated limb. ‘Liberté’ Review: A Miserable Orgy From the Provocateur Albert Serra. It’s there that they seek approval from German lothario Duc de Walchen (no less than Austrian provocateur Helmut Berger) under the auspices of discussing a … The film had its world premiere in the Un Certain Regard section at the 2019 Cannes Film Festival on 18 May 2019. $12. All the participating personages are serious and stern, and the pleasure they purport to seek is not easy. What’s mostly depicted is strain. film Liberté. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règne hypocrisie et fausse vertu. Madame de Dumeval, le Duc de Tesis et le Duc de Wand, libertins expulsés de la cour puritaine de Louis XVI, recherchent l’appui du légendaire Duc de Walchen, séducteur et libre penseur allemand, esseulé dans un pays où règnent hypocrisie et fausse vertu. Chassés de la cour très puritaine de Louis XVI, quelques nobles libertins, parmis lesquels madame de Dumeval, le duc de Tesis ou encore le duc de Wand, ont prix contact avec le duc de Walchen, séducteur et libre penseur allemand. However, “Liberté” makes the case for its own existence with time. Yet Serra’s work has a poetic charm percolating beneath its provocative exteriors, as if the very idea of merging the formalities of the past with vulgar flourishes registers as a grand historical punchline: Serra gives us the semblance of an old Eurocentric world as it likes to remember itself, but tosses in sex and bodily fluids that make it resonate in more immediate, visceral terms.